Thursday, September 22, 2005

Terence Trent D'Arby - Wishing Well

** (out of four)


The peak of the "Wishing Well" video comes about nine seconds in, when Terence Trent D'Arby comes sliding into the opening shot. There's just this utterly bored-looking backing band - three white guys clustered together in sunglasses, leather jackets and black jeans, strapped with instruments and stuck in a song where you can't really play them - and in glides D'Arby, sliding straight for the microphone, almost uncontrollably. You really want to buy him a pair of TredSafe shoes so he won't slip on that wet floor next time.

D'arby is a two-hit wonder (this and "Sign My Name"*), Columbia Records' light-skinded, mini-dreaded answer to the '80s mulatto magic of Prince. And, sure, "Wishing Well" is a solid funk-pop novelty jam, but D'Arby looks closer to Milli Vanilli than The Purple One as he does his vertical finger-snap dance, shows off his silver sheriff star on that double-breasted working-woman power suit and charms his girlfriend in black-and-white park bench footage.

"Wishing Well" is one of those videos that, if you've seen the first minute, you've seen the entire clip. It doesn't go anywhere or say anything - really, the only reasons to hang in there are to see what new watered-down James Brown move D'Arby will do next. Oh, and three or four times, the same soundstage view cuts from D'Arby with his bland-ass band to D'Arby with his bland-ass group of dancers in the exact same spot. Two-star music videos don't get much more mediocre than this.


* = He's also noteworthy for providing Beavis and Butthead with a giggle-worthy comeback single in "She Kissed Me" in 1993 ("When I'm bare / She kisses me there")

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